In a new interview, Euphoria’s Colman Domingo denies former reports of a toxic workplace. HBO’s popular series ‘Euphoria’ has recently faced accusations of a toxic work environment, with some cast members expressing dissatisfaction. Notably, complaints surfaced regarding disorganized night shoots, extended working hours, and inadequate provisions during the filming of the show’s second season.
Colman Domingo, a veteran actor known for his role in ‘Rustin,’ addressed these allegations in an interview with The Independent. While acknowledging the importance of taking complaints seriously, Domingo shed light on the demanding nature of the television industry, where extended workdays, sometimes up to 14 hours, are not uncommon.
In a new interview Euphoria’s Colman Domingo denies former reports of a toxic workplace. Domingo stated, “I’m not gonna invalidate [anyone’s] experience. But working in television is long hours.” He emphasized the necessity for actors to adopt a methodical approach to their work, acknowledging that the profession demands a robust work ethic.
The actor, with 32 years of experience in the industry, expressed his surprise at the reports, considering the rigorous workdays to be a norm. His perspective suggests that the challenges of the entertainment industry may not be suitable for everyone, especially those who may not share the same level of work dedication.
“I’ve been in this business for 32 years. I know what hard work is. So when I heard those ‘reports,’ I thought, ‘Where is this coming from? That’s just a normal workday.’ Be a professional.” – Colman Domingo
Addressing the allegations against ‘Euphoria’ creator Sam Levinson, Domingo defended Levinson, describing him as “joyful, collaborative, and a big advocate for his actors.” Despite reported conflicts between Levinson and former cast member Barber Ferriera regarding the direction of her character, Domingo vouched for the positive working environment fostered by the creator.
The backdrop of these comments is a 2022 investigation by The Daily Beast, which uncovered multiple complaints submitted to SAG-AFTRA related to ‘Euphoria’s’ second season. Grievances included prolonged night shoots, insufficient meal arrangements, and limited bathroom breaks.
In conclusion, Domingo’s insights into the challenging nature of the television industry provide context to the reported complaints on the ‘Euphoria’ set. While acknowledging the importance of addressing workplace concerns, he highlights the demanding nature of the profession, suggesting that it requires a certain level of dedication and professionalism.
Domingo’s extensive experience underscores the industry’s challenges, suggesting that the commitment required may not align with the expectations of every actor, especially those new to the field. As ‘Euphoria’ faces scrutiny for its alleged workplace issues, Domingo’s perspective adds nuance to the conversation about the demanding nature of television production.
Despite the controversies, his endorsement of creator Sam Levinson contributes to a more comprehensive understanding of the dynamics of the show’s set.
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