Metro Boomin, the renowned music producer born Leland Wayne, is facing serious allegations in a lawsuit filed by Vanessa LeMaistre in California. LeMaistre claims that in 2016, Wayne sexually assaulted her in his Los Angeles studio, which led to a pregnancy she later terminated. According to the suit, the incident occurred after she was invited to the studio under the impression of a friendly meeting, as they had bonded over her passion for music and her recent loss of her young son. LeMaistre’s allegations also reference song lyrics and tweets from Wayne, which she believes highlight an inappropriate attitude toward women. Wayne denies all accusations, calling them a “shakedown,” and vows to defend himself in court.
Music producer and industry heavyweight Metro Boomin, whose real name is Leland Wayne, is at the center of a lawsuit that alleges sexual assault. Filed on October 29 in the Superior Court of California, the suit was brought forward by a 38-year-old woman named Vanessa LeMaistre. LeMaistre claims that Wayne assaulted her at his Los Angeles studio in 2016, leading to a pregnancy. This lawsuit adds a serious dimension to the public image of Metro Boomin, known for his work with major hip-hop artists like Future, Drake, and 21 Savage.
LeMaistre’s account begins with her meeting Wayne in Las Vegas in the spring of 2016, just months after she endured a devastating loss when her nine-month-old son, Kamden, passed away due to a rare disease. According to the lawsuit, the pain of losing her son was overwhelming, and she found solace in music, an art she deeply appreciated. When Wayne invited her to his Los Angeles studio to watch him work, LeMaistre says she was grateful for the opportunity, seeing it as a chance to escape her grief through music.
However, the lawsuit claims that this friendly invitation soon turned into a traumatic event. During one of her visits in September 2016,
LeMaistre says she was “immediately given a shot of alcohol.”
She also reportedly took half of a Xanax bar to help calm her anxiety following her son’s loss. According to the suit, Wayne appeared to be distressed about a recent breakup or separation from a long-term girlfriend. LeMaistre describes the encounter, alleging that she woke up unable to move or speak as Wayne assaulted her. The lawsuit firmly states that LeMaistre never gave her consent and was in a vulnerable position due to the substances in her system.
A few weeks after the alleged incident, LeMaistre discovered she was pregnant. The lawsuit mentions that she had not engaged in any other sexual relationships at the time, and therefore, according to her, the pregnancy was directly linked to the alleged assault by Wayne. Citing her deteriorating mental health, LeMaistre chose to terminate the pregnancy.
In support of her case, the lawsuit points to specific song lyrics and past social media posts by Wayne that LeMaistre’s legal team claims indicate a disregard for women. One such example is a verse from the 2017 song “Rap Saved Me,” a collaboration between 21 Savage, Offset, and Metro Boomin, where lyrics include, “She took a Xanny, then she fainted.” LeMaistre’s lawyers argue that this line, along with other tweets from Wayne, reflects an attitude that dismisses the seriousness of sexual boundaries and drug use in interactions with women.
Responding to these accusations, Wayne’s attorney, Lawrence Hinkle II, has strongly denied all claims. In a statement to the press via TMZ, Hinkle called the lawsuit “a pure shakedown,” asserting, “These are false accusations. Mr. Wayne refused to pay her months ago, and he refuses to pay her now. Mr. Wayne will defend himself in court. He will file a claim for malicious prosecution once he prevails.” Wayne’s legal team insists that the allegations are financially motivated, suggesting that LeMaistre’s lawsuit is an attempt to leverage money from the producer rather than a pursuit of justice.
With this lawsuit now public, both Metro Boomin’s supporters and detractors are watching closely as this case unfolds. The lawsuit raises significant concerns not only about the accusations but also about the broader issue of power dynamics in the entertainment industry. Celebrities and producers hold influence and privilege, which can sometimes lead to complex and problematic relationships with those around them.
As Wayne prepares his legal defense, LeMaistre’s claims add to the ongoing discussions around consent, celebrity power, and the responsibility that high-profile figures have to uphold ethical standards. For now, the legal process will determine the veracity of LeMaistre’s claims, and whether the evidence supports her allegations against the famed producer.
