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Denzel Washington Reveals Gladiator 2 Cut Same Gay Kiss, “I Kissed a Guy Full on the Lips But I Guess They Weren’t Ready for That Yet”

In a recent video interview with Gayety, Denzel Washington shared a surprising behind the scenes detail from his role in Gladiator II, revealing that he filmed a scene where he kissed another male character on the lips. However, this bold moment was ultimately cut from the movie’s theatrical release. Washington, an Oscarwinning actor, stars as Macrinus, a wealthy Roman powerbroker who maintains a roster of gladiators in the highly anticipated sequel directed by Ridley Scott.

Washington’s character, Macrinus, is portrayed as a complex figure with power, wealth, and a personal history that includes past relationships with men. This backstory led the Gayety interviewer to ask Washington, “How gay is the Roman empire?” In response, Washington revealed the unexpected scene that didn’t make the final cut.

“I actually kissed a man in the film ,I think they got chicken. I kissed a guy full on the lips, and I guess they weren’t ready for that yet. I killed him about five minutes later. It’s Gladiator, It’s the kiss of death.”

The exclusion of this scene has stirred discussions about Hollywood’s handling of LGBTQ+ themes in major blockbusters. For Washington, a figure known for taking on intense and memorable roles, this scene was part of a character-driven choice meant to add depth to Macrinus. The decision to cut the kiss suggests that, even in modern cinema portrayals of complex sexuality in mainstream action films may still face pushback. Washington however, seems unfazed by the decision focusing instead on his dedication to portraying Macrinus with depth, intrigue, and intensity.

Washington’s portrayal of Macrinus has already drawn critical acclaim, with many pointing to his performance as one of the most memorable in Gladiator II. Early Oscar predictions highlight him as a strong contender for Best Supporting Actor, especially for his ability to add nuance to his character. Working with Ridley Scott on this project was particularly meaningful for Washington, as it marked a reunion with the legendary director, with whom he previously collaborated on American Gangster in 2007. Washington expressed that Scott’s passion and energy were a driving force behind his decision to join the project. “I have to be inspired by the filmmaker,” he told in Empire magazine. “We had a great go-round the first time, and here we are. Ridley’s engaged, excited about life and his next film. He’s an inspiration. We should all want to feel like that at 86.”

In recent interviews, Washington has been candid about the direction of his career, hinting that he’s nearing retirement. His focus now is on selective projects with top-tier directors, underscoring the importance of working with the best in the industry as he reaches the later stages of his career. In an interview with Australia’s Today program he admitted, “For me, it’s about the filmmakers. Especially at this point in my career, I am only interested in working with the best. I don’t know how many more films I’m going to make. It’s probably not that many. I want to do things I haven’t done.”

Gladiator II has not only allowed Washington to push the boundaries of his craft but has also given him the opportunity to explore uncharted aspects of his characters. While the cut scene with his character’s kiss may have surprised audiences, it underscores Washington’s commitment to portraying multifaceted roles, even when they challenge mainstream norms.

As the award season approaches, Gladiator II stands as a testament to Washington’s legacy, with his performance as Macrinus likely to be remembered as one of his most unique roles. With his future filmography uncertain, this role encapsulates Washington’s commitment to artistic excellence, collaboration with top filmmakers, and fearlessness in tackling diverse characters. And as he hinted at his waning time in Hollywood, fans and critics alike eagerly await each project he chooses, knowing it might be one of his last.

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